Don’t just read the story.
Enter it.

Cast, before anything is generated

Every speaking role is detected from your script and cast to a voice you audition and approve. Nothing is produced until you decide the cast is right.

Sound built into the scene

The Studio reads ordinary prose for sound and ambience opportunities — not just cues you mark by hand — then lets you accept, reject or write your own.

Publish on your terms

A published episode is a fixed, immutable master. A later remix never silently changes what a listener already heard — you republish, explicitly, when you choose to.

Your story stays yours.

For writers who publish their own series: you keep the copyright in your story, its characters and its world, and you can publish it anywhere else, in any form. Carry On owns the audio it produces from your story. Once an episode is published, Carry On’s licence to it is permanent: Carry On may keep streaming and selling it, even after you leave.

It is all in the Writer Agreement, which you read and sign before you start a series. A series Carry On commissions is different: Carry On Audio owns it, under the agreement the writer signs for it.

You earn a share of every sale.

Every product has a base price, set by Carry On. You earn a share of the base price of every Superfan purchase of your series and of the purchased coins listeners spend on your episodes, the same rate for every writer who publishes their own series; Carry On keeps the rest. Subscriptions go through a pool: each month, a share of each plan’s base price is divided among writers by how long subscribers listened to their work. Your statements show exactly what each sale paid you.

Tax, card fees and anything a listener pays above the base price don’t change your share, and nothing is taken out of it for production, hosting or promotion. If a sale is refunded or charged back, the share earned on it is taken back. Your share stops on the day your agreement ends.